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Versió Català → /// Versión español →

Produced by: www.anticteatre.comywww.vyrsodepseio.com

Vyrsodepseio, a cultural space dedicated to contemporary art, together with Antic Teatre, reference point for cutting edge performance arts in Barcelona and multidisciplinary resource centre devoted to the search for and the creation, production and dissemination of visual and performing arts, are working together as part of the programme cav_a, Catalan artists visiting Greek artists. This will consist of two performances by Catalan artist Pere Faura at Vyrsodepseio and other activities such as meetings with Greek artists and post-performance artist-audience discussions, to take place December 18th and 19th. The second part of the exchange will be held at Antic Teatre in February 2015.

We are working hard for this collaboration to be the first of a series of bilateral exchanges between artists associated with our two centres. Antic Teatre and Vyrsodepseio are both members of the European network of independent cultural centres, Trans Europe Halles (TEH), and together they are developing an artist exchange programme based on research and innovation in performance expression.

[+] INFO

What is cav_a ?
This is a cultural exchange programme devised to share, understand and create awareness of contemporary creative performing arts practices in Catalonia, and in return learn about such practices in each host country we visit. By encouraging international cooperation between independent cultural research centres in the field of multidisciplinary arts, we hope to increase cultural perspectives and propagate new forms of creative expression.

Why?
The programme aims to stimulate creativity by basing artistic development on exchange and knowledge, bringing Catalan contemporary performing arts creativity onto the international arena, and transcending frontiers.

To this end we want to work with other, like-minded centres in direct collaborations on productions, as well as engaging in one-to-one exchanges between artists, cultural organisations, and even cities. Using performances, workshops and training, we will create a channel of information between artists, creators and arts professionals, moving them out of isolation and into the wider community, helping them to meet the changing social, political and professional challenges that face the artist as citizen.

Who is it for?
It will allow artists from Catalonia to show their work and their creative processes to the different communities that welcome them, sharing knowledge and interests with local artists and audiences, while opening the way for artists from our host countries to make the reciprocal journey to Barcelona, nourishing local contemporary performing arts with international programming, meetings and debates.

Ultimately our goal is to facilitate opportunities for artists of all nationalities to show their work to a wider audience, and to help them develop their relationship with the audience, making it a two-way process with a free flow of opinions that can lead to the creation of new languages of expression and the development of new ways of seeing and understanding contemporary stage arts.

Where?
It has Europe as its first target. But why stop there? The world is out there…

Past editions:

Catalan artists visiting Slovenian artists. Ljubljana, Desembre 2011 (Glej Theatre).

Catalan artists visiting Croatian artists. Rijeka, Desembre 2012 (HKD).

Catalan artists visiting French artists. Saint Ouen/París. Juny/Desembre 2013 (Mains d'Oeuvres).
[+]Info →

[+] ABOUT VYRSODEPSEIO

Since March 2011, ODC Ensemble has been based at their own venue, Vyrsodepseio, the biggest tannery of the Balkans in the 19th century. The company transformed it into a multi-stage, versatile space for contemporary performing art located in the post-industrial undeveloped area of Votanikos, in the center of Athens. The volunteers will have the opportunity to be a part of this ongoing creative space.

Vyrsodepseio is a grass root project and a vibrant cultural cell that helps drastically to the growth of innovative, hybrid art. Vyrsodepseio is an experiment on how to produce art in “difficult times”, an evolving project of synergies and co-operations.

While planning a rich weekly program, it is also a virtual platform of networking between artists and activists, international organizations and individual artists. It offers to artists, companies, etc. A space where they can rehearse, organize workshop, build and show their play and performances in order to help the young Greek contemporary creation.

Through the seminars, educational programs and residencies of artist with participants from all Europe, Vyrsodepseio is fully engaged in the intercultural dialogue through art. Since its creation, the Vyrsodepseio has received between its walls artists in residencies, workshops, master-classes, seminars and educational programs in order to participate to the ongoing education of artists and cultural actors throughout Greece, Europe and Euro-Mediterranean area.

Vyrsodepseio is also member of the International Network Trans Europe Halles.

www.vyrsodepseio.com

[+] ABOUT ANTIC TEATRE

Antic Teatre is one of the reference points for cutting-edge independent performance arts. Antic Teatre - Espai de Creació is an independent Cultural and Social centre based in a cultural heritage building, dating from 1650, in the very heart of Barcelona, in the Sant Pere neighbourhood of the city’s Gothic Quarter.

It is a resource centre for mulitdisciplinary arts focusing on research, innovation and the development of new languages in performance.

We are THE ONLY VENUE IN THE CITY WITH REGULAR PROGRAMMING (365 days a year) based entirely on research.

Our MISSION is to support and encourage professional artists who avoid established techniques and repetition of methodologies in their experimentation, creation, production, exhibition, promotion and dissemination endeavours, by freeing them from market pressures and demands and so boosting innovation and risk.

We are members of the international network Trans Europe Halles, an European based network of cultural centres initiated by citizens and artists.

www.anticteatre.com


★ 18 December 7:30pm ★
Pere Faura meeting with Greek artists

★ 19th December 20:30 ★
Performances + Audience discussion - 8 euros

Place: Vyrsodepseio, Orpheos 174, Athens , Greece. Phone number for reservations: 210-3453203

PERE FAURA
BIO [+]

Performance artist

Born in Barcelona in 1980, he studied music in the music school Diaula and in the Conservatory of Barcelona for more than 10 years, focused on flute and singing.
He studied 2 years as a Theatre Maker in the Institut del Teatre of Barcelona, combining it with ballet and contemporary dance training in Area, espai de dansa i creació.
He studied one year of Media and Communication in Universitat Autònoma de Barcelona and he took the one year Master Study in Culture of Peace and Conflict Resolution in that same university.
In 2002 he moved to Amsterdam to study choreography at the School for New Dance Development, where he graduated in 2006.
Between 2009 and 2011 he studies at the Amsterdam Master of Choreography at the Amsterdam School of the Arts (AHK).

AS A DANCER,
he has been involved in several projects with choreographers like Jerôme Bel (“The Show Must Go On”), Ivana Muller (“While We Were Holding It Together”) Carolien Hermans (“Do you want to dance with me?”, “The sceptic”, “Body In Bits And Pieces") or Kyrstine Andersen (“WEGO”). In 2006, he was selected to participate in the DanceWeb European Scholarship Program for Contemporary Dance within the Impulstanz Festival in Vienna.

AS A CHOREOGRAPHER,
he started presenting his own work “panoramas, video and dance” (2004), “I belong to your image, sequence of panoramas” (2005) and “solo” (2005), mainly focused on the relationship between dance and video, in different theaters and festivals in Holland and in Spain. His graduation piece “this is a picture of a person I don’t know” (2006) won the ITS Festival Choreography Award and was selected for the Dansclick Holland Tour, and it has been presented in many different international venues all over Europe.

In 2007 he became resident choreographer at the Frascati Theater in Amsterdam, where he created the short movie “watching you” and the solo “discopolis”, which he developed further in Barcelona under the final title “striptease programat”, presented inside the program “Viatges a la felicitat” at the National Theater of Catalunya. At the end of that year he started working on his third solo “striptease”, commissioned by the ITS Festival as part of the Choreography Award 2007.

In 2008 he premiered “striptease” in Something Raw Festival, and presented it in many other international venues trough out the year. During the summer,Kalamata Dance Festival in Greece commissioned him a version for three women of “striptease”, which was called “StripteaSeS”. In December he premieres in Amsterdam his first group piece for 5 women called “do you have a cigarette? and other ways of approaching”, a coproduction between Frascati Theater(Amsterdam), La Caldera (Barcelona), Operaestate Festival (Bassano del Grappa) and Springdance Festival (Utrecht), which was premiered in Frascati WG in December 2008.

In 2009 he created the short movie “miratge cromàtic”, produced by Nu2’s(Barcelona) and he started the process of “coser y cantar”, a research on singing and dancing, developed within the project “Pasantías” by Malqueridas(Barcelona), and which will be later premiered in Springdance Festival in Utrecht. In July, the association Prins Bernhard Cultuurfonds (NL) gave him the Charlotte Köhler award, as recognition to his carrier as a young choreographer.

In 2010, he continues preseting "coser y Cantar" in different festivals in Spain like MOV-S in Madrid or Terrassa Noves Tendencies. He also creates the performance-installation "los títulos nunca mueren" together with Iñaki Álvarez, produced and premiered at Festival Escena Poblenou in Barcelona, and the performance "bomberos con grandes mangueras", comissioned by Álex Brahim inside the project "CUVO", presented at Matadero in Madrid.

In 2011, he develops his first video-installation “(s)expositions(s)” together with Joan Escofet, as a final project for the Amsterdam Master of Choreography. He also starts the creation of "diari d'accions", the second performative project with Iñaki Alvarez, which tours for different places in Catalunya and Canary Islands. And also he starts making his new solo "dansa real ja!", a colaboration between Festival TNT in Terrassa and La Caldera in Barcelona.

www.perefaura.com →

" “STRIPTEASE” 2008

Duration: 40 min

Concept and direction: Pere Faura
Performers: Pere Faura & Demi Moore
Video: Pere Faura
Music: Carlos Jobim & Annie Lenox, mixed by Ivo Bol
Light: Paul Schimmel & Pere Faura
Technique: Israel Quintero

Text excerpted from:
"Undressing the First Amendment and Corestting the Striptease Dancer" of Judith Lynne Hanna
"Striptease. The Art of Spectacle and Transgression" of Dahlia Schweitzer
"Narrative Striptease in the Nightclub Era" of Ben Urish
Dramaturgical advise: Jeroen Fabius

Producer: Frascati theater, Amsterdam
Premiere: Frascati Theater, Something Raw Festival, february 2008

“Striptease” is a striptease to the theater and to its gaze.

A striptease, a performance and a conference, which humoristically and ironically compares the theatrical event with the art of undressing. What are we expecting to see when we go to the theater? And when do we go to see a striptease? And when do we go to see a theater show called “striptease”? “Striptease” talks about these expectations; about the mechanism of desire in both conventions; about the seductive relationship between performer and spectator. A spectator, which who’s gaze finally becomes the main protagonist of this striptease.

" “ON FIRE” 2010

Duration: 15 min

Choreography and permormer: Pere Faura
Music: Vivaldi + actors "on fire"
Producer: CUVO – comissariat per Alex Brahim
Premiere: CUVO, Matadero, Madrid, December 11-12, 2010
As an attempt to undress the undressed, the piece re-visits the porn imaginary as a choreographic practice. Following different strategies such as concret re-contextualization or complete abstraction, a dancer practices alone the dual dance par excellence. A masturbation with no loneliness.

A striptease to the architecture of plasure, wihch the audience witnesses in that space bewteen being spectator and being voyeur, between the private and the public, between the explicit and the erotic. A naked, sweaty and dirty relfection about the gimnastics of excitement and the physicality of desire.

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